how to draw a 3d dome
Understanding the effigy
To draw a pose correctly, yous don't need to always bear an beefcake book with y'all. It's not as difficult as it seems: observation and practice are your best tools. If at any point you get curious almost trying something new (which I hope you do), information technology never hurts to take a await at that anatomy book.
Even if your drawing fashion is far from realistic, the aspects that brand a pose interesting and credible remain the same: forcefulness, rhythm, activity lines, construction and perspective.
Ascertainment:
Your closest reference is yourself. If you look at yourself in forepart of a mirror and start moving, you volition notice that your body works as a unmarried element.
When y'all raise an arm, the arm is not the only part of your body that moves, dissimilar how the removable extremities of dolls work. The changes in your torso don't resemble figure A, right? For example, your shoulder also lifts, and many other parts of your torso accommodate to the movement as in figure B.
This is what observation ways: paying attending to the details and characteristics of the body.
Forcefulness and rhythm
Your characters move thanks to their inner strength. They can walk, jump, dance… whatever comes to listen! But unless they are floating in infinite, it is non the only force that acts on them, equally gravity makes their feet stay on state.
When two or more than forces interact with each other, a rhythm is prepare, which provides balance and sense to the movement.
If your character is pushed to the left, his trunk will fall in that direction (A), unless he puts upwardly resistance to stand (B).
If the grapheme wants to pull something that refuses to move, his torso will lean in the opposite direction. Obviously, once the true cat gives in to the force, your character will fall, as the true cat was what kept him standing.
Strength and rhythm provide a lot of visual information you can work with: the weight of your grapheme (1), the balance of his pose (2) or the lack of it (3).
Action lines
The action line is the imaginary guide that indicates your character's movement. It focuses on actions and helps to unify the whole effigy.
Below you lot can encounter a couple of examples where forcefulness, rhythm and action lines collaborate together.
Example one:
The character (1) has a relaxed stance, resting on her right arm. In the figure (2), nosotros can run into her action line, which covers her whole torso up to the foot. The shape is slightly similar to an S.
Nosotros can see it is a relaxed pose because her weight rests on a single point (3) and all she needs is to keep the balance with her left foot, which remains taut while the right one is resting.
Case 2:
The adjacent pose is more than dynamic, and so there are more things going on in this image.
This time you tin see iii action lines, but the most important are (one) and (2), the ones that actually tell the story. The first one covers the whole figure from head to toe, and the second one goes in the opposite direction, keeping the balance and forming an Ten. The third one simply provides greater stability to the pose.
In this drawing nosotros can see that there is a force that pushes the character in the opposite direction to her gaze. Elements such as the hair, the clothes and the dust on the floor propose that the force comes from the right side, and as these elements are light, they are affected by the speed with which this strength acts.
All the same, this daughter wants to overcome this forcefulness with her own strength. She has no intention of losing the fight.
Example three:
This fourth dimension, our character is a baseball role player. He'south spinning his torso to go plenty momentum and counter the ball's force to hit it far away. Don't you get the impression that it will exist a home run fifty-fifty though you lot haven't seen how the scene ends even so? It's the magic of anticipation. If you know how to properly handle the forcefulness, rhythm, and activeness lines correctly, you will be able to guide the spectator forth the path you have set. This is very of import for any comic creative person.
It'due south important that you don't overpopulate your drawing with too many activity lines, because it could misfile the character's intention, brand the forcefulness go in different directions, and take the accent away from the most of import action.
Construction
The trunk is quite complex and information technology is hard to depict correct proportions and move away from the 2D plane. I recommend you shape a base of operations that helps you discern the volume of each element. To do this, we will use geometric figures such as spheres, cubes and cylinders to stand for the construction of the body.
These figures can be freely rotated, stretched, flexed, and twisted according to the pose.
These figures represent the direction of the different elements of the torso. Y'all must pay special attention to the limits of the joints, since at a certain point you have to turn or twist the torso to go on moving in that direction, changing drastically the pose.
With practice, this procedure gets simpler. The amend you sympathize how the figure works, the fewer guides you lot will demand.
Perspective
Perspective turns the 2D aeroplane into a 3D one and adds more depth and visual richness to the composition than just looking at it from a frontal plane.
The eye level or horizon line represents the bodily meridian of the viewer's eyes (1), and the vanishing points are the lines projected from a bespeak on the horizon (2). The following epitome has a perspective with ii vanishing points with which we can appreciate two faces of the figure.
The body is more intricate, but the principle is the same. For example, this figure'southward feet and hands are smaller due to the perspective, and even suggest us how we should projection the vanishing point lines.
Activeness poses always look more than dramatic when the perspective is exaggerated. Even when the poses are not entirely realistic, the figures seem credible and the scenes look more interesting.
I recommend you lot to practice and read about perspective as much as possible, equally it is non something yous tin master in a solar day. Analyze as many references as y'all can. Eventually, you'll end up seeing vanishing points everywhere.
Essential lines
You lot can speed up and ameliorate your observation skills by drawing poses using photos or actual people as a reference and setting a short time limit for it. The aim is to capture the essential information of the effigy and, of course, to depict as many poses equally possible.
This exercise will as well assist you to increase your confidence when drawing. Don't be afraid to draw the first line, and fifty-fifty if you make a mistake, avoid erasing the lines. Endeavor to focus and draw make clean, articulate lines.
Below you lot can meet some examples of poses that I have drawn inside 45 to 60 seconds:
At first, focus on drawing the whole body with smooth lines. So, if you lot have more than time, detail and build the shape better.
Don't be afraid to draw what you don't see or what is hidden, every bit it will give yous a better idea of the figure'south structure.
Endeavour to exaggerate the lines. It makes them softer and more apparent, however crazy it sounds.
Unless the model is in a very rigid posture, try to avoid straight lines. The nigh natural poses are built with curves.
I hope these tips have been helpful!
If you want to see more of my work, from these links you can access my social media pages and my portfolio:
https://www.instagram.com/eri_duh/
https://twitter.com/eri_duh
https://www.artstation.com/eridey
Thank you and so much for reading this commodity!
– Eridey
Source: https://www.clipstudio.net/how-to-draw/archives/156164
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